GERMAN ACADEMY OF SCIENCES AND ARTS |
GERMAN ACADEMY OF SCIENCES AND ARTS |
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE |
Faculties: Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts |
. | . | .Deutsche Übersetzung in Arbeit |
ART |
Music Evolution Natural Harmony Universal Development of Consciousness and Creativity |
The Harmony Laws of the Microcosm of Music in the Field of Unity 7.3.1.00.00 7.3.7.00.00 |
Integrated overtone mechanics of the combination
of tone and idea in the musical fields of knowledge
Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing 7.3.3.08.00
• in the acoustic space
• in the musical tone-space
• in the musical motif-space
• in the musical sequence-space
• in the musical harmony-space
SEMINARS
7.3.3.08.01
Integrated overtone mechanics of the combination of tone and idea at the transition from the force-field of the acoustic space to the field of our neurophysiology
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.01.1 |
7.3.3.08.01.2 |
7.3.3.08.01.3 |
7.3.3.08.01.4 |
7.3.3.08.01.5 |
7.3.3.08.02
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of our neurophysiology to the force-field of our mind
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.02.1 |
7.3.3.08.02.2 |
7.3.3.08.02.3 |
7.3.3.08.02.4 |
7.3.3.08.02.5 |
7.3.3.08.03
Integrated overtone mechanics of the combination of tone and idea at the transition from the force-field of our mind to the field of our inner voice
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.03.1 |
7.3.3.08.03.2 |
7.3.3.08.03.3 |
7.3.3.08.03.4 |
7.3.3.08.03.5 |
7.3.3.08.04
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of our inner voice to the field of knowledge of the musical tone-space
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.04.1 |
7.3.3.08.04.2 |
7.3.3.08.04.3 |
7.3.3.08.04.4 |
7.3.3.08.04.5 |
7.3.3.08.05
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of knowledge of the musical tone-space to the field of knowledge of our hearing
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.05.1 |
7.3.3.08.05.2 |
7.3.3.08.05.3 |
7.3.3.08.05.4 |
7.3.3.08.05.5 |
7.3.3.08.06
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.06.1 |
7.3.3.08.06.2 |
7.3.3.08.06.3 |
7.3.3.08.06.4 |
7.3.3.08.06.5 |
7.3.3.08.07
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.07.1 |
7.3.3.08.07.2 |
7.3.3.08.07.3 |
7.3.3.08.07.4 |
7.3.3.08.07.5 |
7.3.3.08.08
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of knowledge of our understanding to the field of knowledge of the musical sequence-space
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.08.1 |
7.3.3.08.08.2 |
7.3.3.08.08.3 |
7.3.3.08.08.4 |
7.3.3.08.08.5 |
7.3.3.08.09
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.09.1 |
7.3.3.08.09.2 |
7.3.3.08.09.3 |
7.3.3.08.09.4 |
7.3.3.08.09.5 |
7.3.3.08.10
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of knowledge of our feeling to the field of knowledge of the musical harmony-space
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.10.1 |
7.3.3.08.10.2 |
7.3.3.08.10.3 |
7.3.3.08.10.4 |
7.3.3.08.10.5 |
7.3.3.08.11
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect<
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.11.1 |
7.3.3.08.11.2 |
7.3.3.08.11.3 |
7.3.3.08.11.4 |
7.3.3.08.11.5 |
7.3.3.08.12
Integrated overtone mechanics of the combination of tone and idea at the transition from the field of knowledge of our intellect to the field of knowledge of our self-awareness
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the acoustic space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical tone-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical motif-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical sequence-space |
HARMONY Universal analysis of the overtone mechanics of the combination of tone and idea in the musical process of knowing in the musical harmony-space |
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7.3.3.08.12.1 |
7.3.3.08.12.2 |
7.3.3.08.12.3 |
7.3.3.08.12.4 |
7.3.3.08.12.5 |