To­day’s ma­chin­ery of mu­si­cal per­form­ance does not ex­pect this genu­ine, spiri­tual-mu­si­cal, crea­tive unity any­more and there­fore does not at­tempt to achieve it.

Nev­er­the­less, to­day it is pos­si­ble, more than ever be­fore, to tech­ni­cally real­ize the unity of the com­po­si­tional analy­sis and syn­the­sis to the ex­tent that the lis­tener – by means of the outer acous­tic image – can di­rectly per­ceive it within him­self.

This suc­cess­ful outer pres­en­ta­tion of the in­ner world of the art of sound is the key of our time to mu­sic – and it is ap­plied most suc­cess­fully in the tech­nol­ogy of the “Dy­namic Space Stereo­phony.”