THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Absolute Sound-Substance
in Perfect Function


 
This does not mean that the di­verg­ing of feel­ing and un­der­stand­ing is no longer pur­sued with the great­est ear­nestness by these two forces of cog­ni­tion. It only means that now, through the ef­fect of the ab­so­lu­te sound-sub­stance, a per­fect force-field has been cre­ated on the level of the har­mony, in which feel­ing and un­der­stand­ing di­verge, while at the same time they also con­verge.

 
Creating the Absolute Musical Force-Field in the Harmony
This is also why, in the field of the har­mony, one can no longer de­ter­mine in de­tail whether feel­ing and un­der­stand­ing now di­verge or con­verge. The feel­ing ob­vi­ously con­tin­ues to strive to­wards unity alone – in fact, with all the unlim­ited en­ergy of the pure self-aware­ness avail­able to it – and the un­der­stand­ing con­tin­ues, as be­fore, to strive to­wards di­ver­sity, en­dowed with the in­ex­hausti­ble po­ten­tial of in­tel­li­gence of the pure self-aware­ness.

 
Divergence and Convergence of Feeling and Understanding as a Whole
By vir­tue of the fact, that in the field of the har­mony the ab­so­lu­te sound-sub­stance was enli­vened in its vi­bra­tion, a force-field of a com­pletely new di­men­sion is cre­ated – a lively di­men­sion of ab­so­lu­te mu­sic be­yond space and time.
And in this new world the mu­si­cal re­al­ity looks like this:
  1. in it, all in­ner­most mu­si­cal hap­pen­ing stands still, but flows limitlessly at the same time,
  2. the spaces in which this mu­si­cal-dy­nami­cal proc­ess takes place are in­fi­nitely small, but in­fi­nitely large at the same time,
  3. within this to­tal mu­si­cal ex­peri­ence the mu­si­cal-hu­man forces di­verge, but con­verge at the same time,
  4. this un­stop­pa­ble flow takes place in utmost condensation and with su­preme pre­ci­sion,

 
A Musical Force-Field of a Completely New Order
mu­si­cal growth is at the same time also a proc­ess of sus­tain­ing and dis­solv­ing – while on the other hand, in terms of mu­sic, noth­ing what­so­ever hap­pens – and:
this en­tire, silent, uni­ver­sal hap­pen­ing might be de­scribed by the term “the play of the stand­ing, the rest­ing, the flow­ing in­fi­nite har­mony.”

 
The Living Reality of Absolute Music beyond Space