In the state of rest­ful alert­ness the mu­sic crea­tor rec­og­nizes his self-con­scious­ness as the source and goal of all mu­sic. Out of their self-con­scious­ness, all great mu­si­cal poets un­folded and un­fold their im­mor­tal mu­sic crea­tions – which again, in turn, strive to­wards the self-con­scious­ness of the lis­tener.

A well-founded mu­si­cal sci­ence, there­fore, can only be based on a sys­tem­atic in­ves­ti­ga­tion into our self-con­scious­ness.
Only then will it con­cen­trate on the ac­tual ori­gin and on the true goal of the art of tones – on the ac­tual, crea­tive source of mu­sic within the mu­si­cal crea­tor, and on the high cos­mic goal of mu­sic within eve­ry mu­sic lover.

Clas­si­cal mu­sic is able to open the sun-gate to our self-con­scious­ness for us. It re­veals to us our self as the true lis­tener of mu­sic and raises us to the world of the true mu­sic crea­tor.

From the very first moment of lis­ten­ing to clas­si­cal mu­sic we in­crease the in­ner-mu­si­cal per­form­ance of our hu­man think­ing; for true clas­si­cal mu­sic is, as we real­ize, a proc­ess in which, by means of the re­sound­ing mu­si­cal ele­ments, we sys­tem­ati­cally fathom our mind and thus ad­vance into the deep­est depths of our think­ing.

Here, in the field of deep­est si­lence – be­yond space and time – we find an in­fi­nite di­ver­sity of subtle cos­mic vi­bra­tions which move ac­cord­ing to their very own in­de­pend­ent laws.
And when we reach the field of the har­mony, we wit­ness within us an im­meas­ur­able proc­ess of crea­tion re­sound­ing within it­self: we per­ceive the eter­nal, origi­nal source of mu­sic within us.

Now, from our own per­sonal ex­peri­ence, we know the source from which all great clas­si­cal com­pos­ers cre­ated and cre­ate their im­mor­tal mu­si­cal works.

Once we have reached this field of our pure life, clas­si­cal mu­sic proves to be the great in­spirer to pur­pose­fully stimu­late with the help of our free will this vi­brat­ing, cos­mic, sound­ing prime hap­pen­ing in the depth of our free con­sci­ence to re­sound more and more clearly: so that even­tu­ally even our in­ner sense of hear­ing can per­ceive what pre­sently only our in­tel­lect, our feel­ing and our un­der­stand­ing can com­pre­hend.

The proc­ess of mu­si­cal tran­scend­ing – pur­posely en­ter­ing the depth of the mu­si­cal force-fields – puts the mecha­nism of true crea­tive com­pos­ing into ac­tion within our con­scious­ness. As we ex­peri­ence the all-com­pre­hen­sive mu­si­cal force-field of the har­mony, we attain self-knowl­edge, and in a com­pletely natu­ral and spon­ta­ne­ous man­ner our self-aware­ness opens the in­ner gates of its al­mighty crea­tive force.

By birth, the phe­nome­non of tran­scend­ing was known to our great clas­si­cal com­pos­ers; hence the field of cos­mic think­ing was noth­ing un­usual to them.

Nev­er­the­less, this real ori­gin of mu­sic is ac­ces­si­ble not only to the gen­ius – who al­ready pos­sesses the abil­ity to tran­scend.
By means of true clas­si­cal mu­sic, and the mu­si­cal cog­ni­tive proc­ess that comes with it, the au­then­tic ex­peri­ence of the truly first mu­si­cal thought is now also avail­able com­pletely sys­tem­ati­caly to the in­no­cent lis­tener, to the mu­sic lover, to the mu­si­cian, and: to the mu­sic teacher.