On the ab­so­lu­te mu­si­cal level of the har­mony we make the ex­peri­ence of the com­poser: we ex­peri­ence the in­fi­nite flow of per­fect mu­sic be­yond space and time.

If this per­fect mu­si­cal ex­peri­ence is per­ma­nently open to us, then the lim­ited rela­tive mu­si­cal ex­peri­ences are not able to lure us out of this so com­pletely ful­fill­ing state of ex­peri­ence of the pure mu­si­cal world of the har­mony.

Due to our stand­point of per­fect mu­si­cal ex­peri­ence in the ab­so­lu­te mu­si­cal force-field of the har­mony we are quite in­dif­fer­ent to the rela­tive mu­si­cal hap­pen­ing.
No longer we use our rela­tive mu­si­cal crea­tion for our own ful­fil­ment, but only for the pur­pose of lead­ing other mu­sic lis­ten­ers into the in­fi­nite mu­si­cal world of the har­mony which is now per­ma­nently ac­ces­si­ble for us.

As a re­sult of this per­ma­nent per­fect mu­si­cal ex­peri­ence, a qual­ity grows within us which we com­monly call “pa­tience,” a pa­tience to­wards the rela­tive mu­si­cal proc­ess of know­ing.

Be­cause, seen from the state of our su­preme mu­si­cal ful­fil­ment, our grad­ual pro­gres­sion from smaller ful­fil­ments to greater and higher ful­fil­ments leads al­ways and only to the com­plete mu­si­cal full­ness of the har­mony.

Once we are an­chored in the unlim­ited field of the har­mony, pa­tience to­wards the rela­tive, lim­ited events in the outer mu­si­cal force-fields is the most natu­ral thing in the world for us.

For, in our per­sonal mu­si­cal ex­peri­ence, we live be­yond space and time.
Im­pa­tience, there­fore, does not exist for us – can­not exist – since im­pa­tience can appear only within spa­tial and tem­po­ral limi­ta­tions, but never in the unlim­ited mu­si­cal field of the har­mony – be­yond space and time.