GERMAN ACADEMY OF SCIENCES AND ARTS |
GERMAN ACADEMY OF SCIENCES AND ARTS |
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE |
Faculties: Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts |
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PART VIII |
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EQUIVOCATION |
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The System of the Creative Process in Music |
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However, we find yet another kind of superficial deduction, namely the deduction of a surface from the content, and this refers to the creative process in music as it extends from the absolute force-field of the harmony through the sequence-spaces and the motif-spaces into the musical sound-space. |
The Synthesis of the Musical Meaning |
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In this case, the content of the music – the infinitely condensed, universal, musical multiplicity of the harmony – is systematically made grosser, and in the course of this “creating” it appears as the musical creation of a composer. |
The Structure of the Creative Process in Music |
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These two kinds of superficial deduction correspond either to a deduction from our standpoint as music listeners, or to a deduction from our standpoint as music creators. In the dissimilarity of their deduction they are very naturally rooted in the dissimilarity of our states of knowledge. |
Synthesis and Analysis in Superficial Musical Deduction |
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